Koenraad Brosens| January 2016 | 1 Koenraad (Koen) Brosens Associate Professor (Hoofddocent, BOF‐ZAP) at Leuven University (KULeuven) 1974, Mechelen (Belgium) married to Katrien Hutsebaut father of Willem E. Brosens koen.brosens@arts.kuleuven.be +32 16324869 History of Art Department|Faculty of Arts Blijde Inkomststraat 21|box 3313 3000 Leuven|Belgium kuleuven.academia.edu/KoenraadBrosens education career ASO BA MA PhD latin‐mathematics|JPII‐Instituut, Brussels history of art|KULeuven|1996 history of art|KULeuven|1998 history of art|KULeuven|2002 research and teaching assistant|history of art dept|KULeuven|1998–2003 postdoctoral fellow Flemish science foundation|FWO‐Vlaanderen|2003–2009 visiting professor|history of art dept|KULeuven|2004–2009 assistant professor (bof‐zap)|history of art dept|KULeuven|2009–2014 associate professor (bof‐zap)|history of art dept|KULeuven|since 2014 elected member Académie royale d’Archéologie de Belgique Global Young Academy Jonge Academie invited member scientific board of the Rubenianum. Documentation, Research and Knowledge Institute for the Study of 16th and 17th‐Century Flemish Art advisory board of the Centrum Rubenianum. Center for the Study of 16th and 17th‐Century Flemish Art advisory board of the book series Pictura Nova. Studies in 16th and 17th Century Flemish Painting and Drawing (Brepols Publishers) editorial board of the journal Interior History/Gentse Bijdragen tot de Interieurgeschiedenis editorial board of the journal Bulletin de l’Institut Royal du Patrimoine Artistique/Bulletin van het Koninklijk Insitituut voor het Kunstpatrimonium visiting professor research team books (academic) University of Pennsylvania, Philadelphia (fall 2007) University of California, Berkeley (fall 2013)|P.P. Rubens Chair Early Modern Flemish Art (arts.kuleuven.be/flemishbaroque) MapTap. Mapping the Antwerp‐Oudenaarde‐Brussels tapestry district via network analysis (www.maptap.be) K. Brosens and Y. Maes, Tapestry Production, Restoration and Conservation in Belgium. 125 Years De Wit‐Royal Manufacturers of Tapestry, London (Harvey Miller), [2016]. K. Brosens, Rubens: The Constantine Series, Corpus Rubenianum Ludwig Burchard XIII.3, London (Harvey Miller), 2011. Koenraad Brosens| January 2016 | 2 K. Brosens, European Tapestries in the Art Institute of Chicago, with contributions by P.‐F. Bertrand, C. Bremer‐David, E. Cleland, N. Forti Grazzini, and C.C. Mayer Thurman, Chicago‐New Haven‐London (Art Institute of Chicago‐Yale University Press), 2008. Awarded Outstanding Academic Title status by Choice in 2009. K. Brosens, A contextual study of Brussels tapestry, 1670–1770. The dye works and tapestry workshop of Urbanus Leyniers (1674–1747), Verhandelingen van de Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten, Nieuwe Reeks XIII, Brussels (The Royal Flemish Academy of Belgium), 2004. book (popular) articles peer‐reviewed journals K. Brosens, K. Alen and A. Slegten, Waerom sucht ghij soo? Het Vlaamse wandtapijt in 50 verhalen, Leuven (Davidsfond) [2016]. K. Brosens, ‘Les manufactures royales et la loi du marché. La tapisserie à Paris et à Beauvais’, Revue de l’Art 190 (2015), pp. 29–38. K. Brosens, ‘Botta Adorno, Empress Maria Theresa and Brussels tapestry production in the mid eighteenth century. Part II’, Textile History 46 (May 2015), pp. 50–69. K. Brosens, ‘Botta Adorno, Empress Maria Theresa and Brussels tapestry production in the mid eighteenth century. Part I’, Textile History 45 (November 2014), pp. 216–233. K. Brosens and G. Delmarcel, ‘Raphael’s Acts of the Apostles, Italian officers of the Habsburg monarchy and the Leyniers tapestry workshop, 1725–1755’, The Burlington Magazine 156 (June 2014), pp. 376–381. K. Brosens, ‘The final convulsions of Brussels tapestry: The Legend of the Miraculous Host, 1769–1785’, The Burlington Magazine 155 (February 2013), pp. 82–87. K. Brosens and K. Van der Stighelen, ‘Paintings, prices and productivity. A worm’s‐eye view from Maximiliaan de Hase’s Memorie Boeck (1744–1780)’, Simiolus. Netherlands quarterly for the history of art 36, 3 (2012) [2013], pp. 173–183. K. Brosens, ‘Revisiting Brussels tapestry, 1700–1740. New data on tapissiers Albert Auwercx and Judocus de Vos’, Textile History 43 (November 2012), pp. 183–199. K. Brosens, ‘A case of mistaken identity: Rubens’s so‐called “Constantine and Crispus” oil sketch in Sydney’, The Burlington Magazine 153 (February 2011), pp. 86–89. K. Brosens and V. De Laet, ‘Matthijs Roelandts, Joris Leemans and Lanceloot Lefebure unearthed. New data on Brussels baroque tapestry’, The Burlington Magazine 151 (June 2009), pp. 360–367. K. Brosens, ‘Who commissioned Rubens’s Constantine series? A new perspective: the entrepreneurial strategy of Marc Comans and François de la Planche’, Simiolus. Netherlands quarterly for the history of art 33, 3 (2008), pp. 166–182. K. Brosens, ‘The Story of Theodosius the Younger rediscovered. A new tapestry set by Jordaens and his studio’, The Burlington Magazine 149 (June 2007), pp. 376–382. K. Brosens, ‘Bruxelles/Paris/Bruxelles. Charles de La Fontaine et la diffusion des modèles des tapisseries de Charles Poerson à Bruxelles, 1650–1675’, Revue belge d’Archéologie et d’Histoire de l’Art 76 (2007), pp. 43–60. Koenraad Brosens| January 2016 | 3 K. Brosens, ‘Eighteenth‐Century Brussels Tapestry and the Goût Moderne. Philippe de Hondt’s Sets Contextualized’, Studies in the Decorative Arts 14, 1 (Fall–Winter 2006–2007), pp. 53–79. K. Brosens, ‘The Story of Psyche in Brussels tapestry c.1700. New data on Jan van Orley, Jan‐ Baptist Vermillion and Victor Janssens’, The Burlington Magazine 147 (June 2005), pp. 401– 406. K. Brosens, ‘Nouvelles données sur l’Histoire de Cléopâtre de Poerson. Le réseau Parent et la tapisserie bruxelloise à la française’, Revue belge d’Archéologie et d’Histoire de l’Art 74 (2005), pp. 63–77. K. Brosens, ‘The maîtres et marchands tapissiers of the rue de la Verrerie. Marketing Flemish and French Tapestry in Paris around 1725’, Studies in the Decorative Arts 12, 2 (Spring–Summer 2005), pp. 2–25. K. Brosens, ‘The organisation of seventeenth‐century tapestry production in Brussels and Paris. A comparative view’, De Zeventiende Eeuw 20, 2 (2004), pp. 264–284. K. Brosens, ‘Charles Le Brun’s Meleager and Atalanta and Brussels Tapestry c. 1675’, Studies in the Decorative Arts 11, 1 (Fall–Winter 2003–2004), pp. 5–37. K. Brosens, ‘Brussels Tapestry Producer Judocus de Vos (1661/1662–1734)–New Data and Design Attributions’, Studies in the Decorative Arts 9, 2 (2002), pp. 58–86. K. Brosens and Guy Delmarcel, ‘Les aventures de Don Quichotte. Tapisseries bruxelloises de l’atelier Leyniers‐Reydams’, Revue belge d’Archéologie et d’Histoire de l’Art 67 (1998), pp. 55–92. articles other journals K. Brosens, ‘Scènes de chasse. Note sur une tenture de tapisseries flamandes conservée au château de Montrottier’, Revue savoisienne [2016]. K. Brosens, ‘Rubens & Co.’, The Norwegian Art Yearbook/Norsk Kunstårbok (2014), pp. 42– 47. K. Brosens and C.C. Mayer Thurman, ‘Autumn and Winter. Two Gobelins Tapestries after Charles Le Brun’, The Art Institute of Chicago. Museum Studies 32, 2 (2006), pp. 61–71, 94– 95. K. Brosens, ‘The Duke of Arenberg’s Brussels Chinoiserie Tapestries by Judocus de Vos’, Filo Forme. Quadrimestrale di storia, arte e restauro dei tessili 4 (2004), pp. 3–6. K. Brosens, ‘Wintergezicht (1611) en Lentegezicht (1612) door Denijs Van Alsloot en Hendrik De Clerck. Een stilistische en iconografische analyse’, Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen (1998), pp. 293–308. chapters in books academic publishers A. Slegten and K. Brosens, ‘Searching for Emotions. Brussels Painter Maximiliaan de Hase (1713–1780), Brussels Tapestry Producer Daniel Leyniers (1705–1770) and the Early Loss of Children’, in H. Magnus and K. Van der Stighelen (eds.), Facts and Feelings. Retracing Emotions of Artists, 1600–1800, Turnhout (Brepols), 2015, pp. 61–74. K. Brosens, ‘Quality, risk and uncertainty and the market for Brussels tapestry, 1450–1750’, in N. De Marchi and S. Raux (eds.), Moving Pictures. Intra‐European Trade in Images, 16th– 18th Centuries, Turnhout (Brepols), 2014, pp. 19–36. Koenraad Brosens| January 2016 | 4 K. Brosens, ‘”Mars and Minerva Have Never Been the Best of Friends”’, in J. Tollebeek and E. van Assche (eds.), Ravaged. Art and Culture in Times of Conflict, Brussels (Mercatorfonds), 2014, pp. 29–35. K. Brosens, ‘Tapestry: Luxurious Art, Collaborative Industry’, in: J. Saslow and B. Bohn (eds.), The Blackwell Companion to Renaissance and Baroque Art, Oxford (Blackwell), 2013, pp. 295–315. K. Brosens and G. Delmarcel, ‘Landschappen met jachttaferelen door Norbert van Bloemen en Pieter Rysbrack (ca. 1700). Brusselse wandtapijten à l’anversoise’, in K. Van der Stighelen, L. Kelchtermans and K. Brosens (eds.), Embracing Brussels. Art and Art Production in Brussels, 1600–1800, Turnhout (Brepols), 2013, pp. 239–251. K. Brosens, ‘Erudition and Originality: Jordaens’ Tapestry Series with Themes from Classical Antiquity’, in I. Schaudies and J. Vanderauwera (eds.), Jordaens and the Antique, Brussels (Mercatorfonds), 2012, pp. 249–253. [Also published in French, Dutch and German.] K. Brosens, ‘Can tapestry research benefit from economic sociology and Social Network Analysis?’, in: K. Brosens, K. Van der Stighelen and L. Kelchtermans (eds.), Family Ties. Art Production and Kinship Patterns in the Early Modern Low Countries, Turnhout (Brepols), 2012, pp. 43–51. K. Brosens, ‘Les importations des tapisseries flamandes en France, 1600–1650. Un nouveau regard sur Marc de Comans et François de La Planche’, in: A. Brejon de Lavergnée and J. Vittet (eds.), La tapisserie hier et aujourd’hui, Paris (Editions du Louvre), 2011, pp. 35–42. K. Brosens, ‘New Light on the Brussels Raes Workshop and Rubens’s Achilles Series’, in: T.P. Campbell and E. Cleland (ed.), Tapestry in the Baroque. New Aspects of Production and Patronage, New York and New Haven‐London (Metropolitan Museum of Art and Yale University Press), 2010, pp. 20–33. G. Delmarcel, M. Calvo and K. Brosens, ‘Spanish Family Pride in Flemish Wool and Silk: The Moncada and their Baroque Tapestry Collection’, in: T T.P. Campbell and E. Cleland (ed.), Tapestry in the Baroque. New Aspects of Production and Patronage, New York and New Haven‐London (Metropolitan Museum of Art and Yale University Press), 2010, pp. 284–315. K. Brosens, ‘Wie durft daerop bieden? Tapestry cartoons, preparatory sketches and tapestries at auction, 1650–1750’, in: D. Lyna, F. Vermeylen en H. Vlieghe (eds.), Art auctions and dealers. The dissemination of Netherlandish painting during the Ancien Régime, Turnhout (Brepols), 2009, pp. 83‐96. K. Brosens, ‘Flemish Production, 1660–1715’, in: T.P. Campbell (ed.), Threads of Splendor. Tapestry in the Baroque, New York‐New Haven‐London (Metropolitan Museum of Art‐Yale University Press), 2007, pp. 441–453. [Also published in Spanish.] K. Brosens, ‘Autour de la rue Saint Martin. Les importations et la distribution des tapisseries flamandes à Paris, 1600–1650’, in: M. Favreau (ed.), L’objet d’art en France du XVIe au XVIIIe siècle. Actes du colloque international organisé par l’Université Michel de Montaigne‐Bordeaux 3 (12–14 janvier 2006), Bordeaux, 2007, pp. 129–140. K. Brosens, ‘Les maisons et les ateliers des entrepreneurs de tapisseries aux XVIIe et XVIIIe siècles. Un premier aperçu’, in: J. Gribenski, V. Meyer and S. Vernois (eds.), La Maison de l’artiste. Construction d’un espace de représentations entre réalité et imaginaire (XVIIe–XXe siècles), Rennes, 2007, pp. 133–141. K. Brosens, ‘Don Quixote and Co. European Markets for Eighteenth‐Century Tapestry’, in: J.A. Barrientos en C. Herrero Carretero (ed.), Don Quijote. Tapices españoles del siglo XVIII, Dallas‐Toledo (Dallas, Meadows Museum‐Toledo, Museo de Santa Cruz), 2005, pp. 151–181. Koenraad Brosens| January 2016 | 5 K. Brosens and C.C. Mayer‐Thurman, ‘Flemish Tapestries in The Art Institute of Chicago’, in: K. Brosens (ed.), Flemish Tapestry in European and American Collections. Studies in Honour of Guy Delmarcel (Studies in Western Tapestry, 1), Turnhout (Brepols), 2003, pp. 171–181. K. Brosens, ‘Besonder in Italien seer begeert. Wisselwerkingen tussen Italië en de Nederlanden in de landschapskunst, 1525‐1675’, in: P. Huys‐Janssen, K. Brosens, E. Buijsen en H. Devisscher, Panorama op de wereld. Het landschap van Bosch tot Rubens, Zwolle, 2001, pp. 64–80, 201–203. books editor L. Kelchtermans, K. Van der Stighelen and K. Brosens (eds.), Embracing Brussels. Art and Art Production in Brussels, 1600–1800, Turnhout (Brepols), 2013. K. Brosens, K. Van der Stighelen and L. Kelchtermans (eds.), Family Ties. Art Production and Kinship Patterns in the Early Modern Low Countries, Turnhout (Brepols), 2012. K. Brosens (ed.), Flemish Tapestry in European and American Collections. Studies in Honour of Guy Delmarcel, Studies in Western Tapestry I, Turnhout (Brepols), 2003. books series editor P. Bordes and P.‐F. Bertrand (eds.), Portrait et Tapisserie / Portrait and Tapestry, Studies in Western Tapestry 7, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2015. J. Thibault Schaefer, The Brussels Tristan Tapestries, Studies in Western Tapestry 6, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2015. F. Barbe, L. Stagno and E. Villari (eds.), L’Histoire d’Alexandre le Grand dans les tapisseries au XVe siècle, Studies in Western Tapestry 5, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2014. I. Buchanan, Habsburg Tapestries, Studies in Western Tapestry 4, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2015. K. Schmitz‐von Ledebur, Die Planeten und ihre Kinder. Eine Brüsseler Tapisserienserie des 16. Jahrhunderts aus der Sammlung Herzog Albrechts V. im München, Studies in Western Tapestry 3, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2009. P.‐F. Bertrand, Les tapisseries des Barberini et la décoration d’intérieur dans la Rome baroque, Studies in Western Tapestry 2, G. Delmarcel and K. Brosens (ed.), Turnhout (Brepols), 2005. K. Brosens (ed.), Flemish Tapestry in European and American Collections. Studies in Honour of Guy Delmarcel, Studies in Western Tapestry, Turnhout (Brepols), 2003. select book and exhibition reviews K. Brosens, ‘La peinture tissée’, The Burlington Magazine [2016]. K. Brosens, ‘Poussin and tapestry’, The Burlington Magazine 153 (October 2011), pp. 693–695. K. Brosens, ‘The Toms Collection’, The Burlington Magazine 153 (February 2011), p. 112. K. Brosens, ‘Gonzaga tapestries at Mantua’, The Burlington Magazine 152 (June 2010), pp. 431–432. Koenraad Brosens| January 2016 | 6 K. Brosens, ‘Martine Vanwelden, Productie van wandtapijten in de regio Oudenaarde. Een symbiose tussen stad en platteland (15de tot 17de eeuw)’, Tijdschrift voor Sociale en Economische Geschiedenis 5, 1 (2008), pp. 146–147. K. Brosens, ‘Thomas P. Campbell, Henry VIII and the Art of Majesty: Tapestries at the Tudor Court’, www.caareviews.org [The College Art Association] (9.4.2008). K. Brosens, ‘Kristi Nelson, Jacob Jordaens: Design for Tapestry’, De Zeventiende Eeuw 23, 2 (2007), p. 295. K. Brosens, ‘Annette de Vries, Ingelijst Werk. De verbeelding van arbeid en beroep in de vroegmoderne Nederlanden’, De Zeventiende Eeuw 22, 2 (2006), pp. 351–353. K. Brosens, ‘Book Review: Ebeltje Hartkamp‐Jonxis and Hillie Smit: European Tapestries in the Rijksmuseum’, Studies in the Decorative Arts 13, 1 (Fall–Winter 2005–2006), pp. 122–125. K. Brosens and G. Delmarcel, ‘Isaac Moillon, peintre du roi à Aubusson. Some Reflections and Addenda’, www.studiesinwesterntapestry.net (29.9.2005). international symposia/panels (co‐)organizer Crafting a Brussels Artistic Network in Early Modern Europe (ca. 1400–1750), panel at the annual Renaissance Society of America conference, Boston [31.3–2.4.2016] (/L. Yaeger‐ Crasselt) ‘Woven Paintings’? Flemish and French Tapestry, 1660 1770. University of California, Berkeley, Berkeley (22–23.11.2013) Facts & Feelings. Documentary evidence on emotions of artists in the early modern period, 1600–1800, University of Leuven, Leuven (12–13.12.2012) (/K. Van der Stighelen and H. Magnus) Art and Art Production in Brussels, 1600–1800, University of Leuven, Leuven | Royal Museum of Fine Arts–Brussels (9–10.12.2010) (/K. Van der Stighelen and L. Kelchtermans) The baroqueness of the world wide web, University of Leuven, Leuven (23.3.2010) international symposia chair and/or organizing/scientific committee Francis I and the Artists of the North (1515–1547), Brussels, Royal Institute for Cultural Heritage (KIK‐IRPA) (25–26.2.2016) The Turbulent Mind: Madness, Moods and Melancholy in the Art of the Nineteenth Century, Ghent, Museum of Fine Arts (16–17.5.2014) Rubens à la mode, Antwerp, Rubenianum (8–9.5.2014) Portrait et tapisserie, Université Michel de Montaigne‐Bordeaux 3 | Institut national d’histoire de l’art Paris, Lyon (11–12.6.2010) Towards an Iconology of the Textile Medium, Renaissance Society of America, Annual Meeting, Los Angeles (19–21.3.2009) papers international symposia (unpublished) (/K. Alen, A. Slegten, F. Truyen) Cornelia loves data. A networked approach to early modern Flemish tapestry and creative communities, Universität Bonn, Arbeitskreises Niederländische Kunst‐ und Kulturgeschichte, Methodik zwischen Theorie und Praxis (Bonn, 2–4.10.2015) Koenraad Brosens| January 2016 | 7 (/K. Alen, A. Slegten, J. Aerts, F. Truyen) Visualizing complex and dynamic networks of Antwerp and Brussels tapestry entrepreneurs (1640–1720), NetSci2015 (1–5.3.2015), Arts, Humanities, and Complex Networks. 6th Leonardo satellite symposium (Zaragoza, 2.6.2015) (/K. Alen, A. Slegten, F. Truyen) Big data, artistic production and social structure. Or how can we use data visualization and network analysis to study early modern creative communities?, Universität Bern, 5th Bern Research Camp for the Applied Arts (Bern, 28– 30.5.2015) “Industrial Atmosphere”. The organization and dynamics of the Brussels tapestry industry, New York, The Metropolitan Museum of Art, Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry. An International Symposium (New York, 10–11.1.2015) Paris and Brussels – yet mostly Paris. Thrones and canopies for King João V of Portugal and Empress Maria Theresa, Institut national d’histoire de l’art, Paris, La tapisserie en France. Colloque international (Paris, 12–13.12.2014) Rewind and Fast Forward, University of California Berkeley, “Woven Paintings”? Flemish and French Tapestry, 1660 1770 (Berkeley, 22–23.11.2013) (/A. Slegten) Vreugde, verdriet en schilderijen. Op bezoek bij Maximiliaan de Hase (1744– 1781), University of Leuven, Facts & Feelings. Documentary evidence on emotions of artists in the early modern period, 1600–1800 (Leuven, 12–13.12.2012) The dating of Jordaens's tapestry sets, Brussels, Royal Museum of Fine Arts of Belgium, Jordaens and the Antique. An international symposium (Brussels, 6–7.12.2012) Was Rubens a good tapestry designer?, The John and Mable Ringling Museum of Art, Sarasota (Florida), Peter Paul Rubens’s Triumph of the Eucharist Series (Sarasota, 30– 31.3.2012) Organising, visualising and analysing network data in tapestry research/art history, Institute of Historical Research, London, Methodologies for the study of collecting (London, 8– 9.7.2011) Vlaamse/Brusselse wandtapijten en wandtapijtkartons in de Republiek, 1680‐1750, Onderzoekschool Kunstgeschiedenis, Utrecht, De kunst in de Republiek rond 1700: nieuwe inzichten en invalshoeken (Utrecht, 18.2.2011) But what about the regulations? The organization of the Brussels tapestry industry and trade in the 16th century, Museo Nacional del Prado, Madrid, Los tapices flamencos en el siglo XVI. La serie de Mercurio y Herse (Madrid, 13–15.7.2010) Towards a portrait of tapestry. Modelling and visualising archival data, Université Lumière Lyon 2 | Université Michel de Montaigne – Bordeaux 3 | Institut national d’histoire de l’art Paris, Portrait et tapisserie (Lyon, 11–12.6.2010) Mapping the digital library, Katholieke Universiteit Leuven, The baroqueness of the world wide web (Leuven, 23.3.2010) The Medium and the Message. Tapestry in the Seventeenth Century, College Art Association of America, Annual Meeting (Los Angeles, 25–28.2.2009) “The Divine Art” at the Crossroads? Past, Present and Future Research on Tapestry, Art Institute of Chicago, Tapestry Symposium (Chicago, 31.10.2008) Markets for Tapestry in Antwerp, Brussels, and Paris. Université Charles de Gaulle Lille 3, The Market for Tapestries in Flanders and France, 15th‐18th Centuries (Lille, 28.3.2008) Koenraad Brosens| January 2016 | 8 Entrepreneurial strategies of Brussels tapestry producers, 1580–1680. Methodological issues. University of Glasgow, Tapestries: Producers, Patrons and Purchasers (Glasgow, 24.8.2007) Wet en werkelijkheid. Vlaamse wandtapijten in Parijs, 1600–1700. Katholieke Universiteit Leuven, Stof tot nadenken/Thread for thought (Leuven, 20.10.2006) The entrepreneurial strategy of the Auwercx family, minor Brussels tapestry producers (1690– 1740). British Society for Eighteenth Century Studies. 35th Annual Conference (Oxford, 4– 6.1.2006) Régence and Brussels Tapestry. Philippe de Hondt and the Van der Borcht Workshop. American Society for Eighteenth Century Studies, Annual Meeting (Las Vegas, 31.3.2005– 3.4.2005) Archival Material and the Study of Brussels Tapestry c. 1700. Historians of Netherlandish Art, Annual Conference (Antwerp, 15.3.2002) Nieuwe gegevens over Judocus de Vos en de hereditie van “De slag van Tunis” (1712–1721) te Wenen. Fédération des Cercles d’Archéologie et d’Histoire de Belgique, LIIIe Congrès de la Fédération (Mons, 27.8.2000) poster presentation international symposia (/K. Alen, A. Slegten, J. Aerts, F. Truyen, P. McLean) MapTap: multi‐dimensional data, dynamic networks, creative atmosphere. A new approach to early modern tapestry, International Network for Social Network Analysis (INSNA), XXXV Sunbelt Conference of the INSNA (Brighton, 23–28.6.2015) (/K. Alen, A. Slegten, J. Aerts, F. Truyen, P. McLean) MapTap: multi‐dimensional data, dynamic networks, creative atmosphere. A new approach to early modern tapestry, King’s College, London, Blue Skies Above, Solid Ground Below (London, 18.6.2015)) invited lectures on Flemish tapestry and historical network research Hong Kong, The University of Hong Kong [Hong Kong, 22.4.2016] on Don Quixote and European tapestry New York, The Frick Collection (New York, 11.3.2015) http://www.frick.org/interact/koenraad_brosens_don_quixote_fever_european_tapestry on Seventeenth‐century tapestry in Paris Mobilier national, Galerie des Gobelins|Les Rencontres des Gobelins (Paris, 25.11.2014) on Rubens’s Constantine Series Académie royale d’Archéologie de Belgique (Brussels, 26.4.2014) The J.P. Getty Museum (Los Angeles, 30.10.2013) University of California Berkeley | Rubens Chair lecture for NAUL (Berkeley, 27.10.2013) Rubenianum|The Rubenianum Lectures (Antwerp, 25.3.2012) Royal Flemish Academy of Belgium for Science and the Arts (Brussels, 15.2.2012) Rubenianum (Antwerp, 25.9.2008)|Research in progress Rubenianum (Antwerp, 21.9.2007)|Research in progress on Early modern Brussels tapestry and the organization of the industry IESA [Leuven, 8.3.2016] University of Ghent (Ghent, 29.4.2015) IESA (Leuven, 18.3.2015) University of Ghent (Ghent, 30.4.2014) University of Malta (Valletta, 28.4.2014) IESA (Leuven, 12.3.2014) University of Ghent (Ghent, 8.5.2013) IESA (Brussels, 20.3.2013) Koenraad Brosens| January 2016 | 9 University of Ghent (Ghent, 25.4.2012) IESA (Brussels, 14.3.2012) IESA (Brussels, 16.3.2011) IESA (Brussels, 11.3.2010) The University of Pennsylvania (Philadelphia, 7.11.2008) Université de Lille (Lille, 12.3.2008) Académie royale d’Archéologie de Belgique (Brussels, 19.1.2008) The Art Institute of Chicago (Chicago, 27.3.2007) The Art Institute of Chicago (Chicago, 5.4.2005) international workshops The Getty Research Institute Provenance R&D Workshop The Getty Research Institute, Los Angeles (8–9.6.2015) Multi‐dimensional data, database design and visual analytics Duke University, Durham, NC (23.4.2015) Tapestry in the round Burrell Collection|University of Glasgow (30.11.2012) ARACHNE: Méthode critique de l’histoire de la tapisserie Louvre, Paris (1.7.2014) Metropolitan Museum of Art New York (6.3.2013) Petit Palais Paris (5.7.2012) Mobilier national Paris (13.2.2012) Université de Bordeaux (5–6.7.2011) De zeventiende‐eeuwse stad als creatief knooppunt Universiteit van Amsterdam (20.4.2010) Marchés de l’art en Europe/European art markets, 1300–1800 Brussels (24–25.6.2011) University of Antwerp (19–20.3.2010) Duke University, Durham, NC (17–19.9.2009) University of Antwerp (15–16.12.2008) Université Charles de Gaulle Lille 3 (19–20.6.2008) academic panel exhibition and catalogueing projects Ravage. Cultural Heritage in Times of War and Conflict (2012–2014) Tapestry in the Burrell Collection (2008–2012) The Divine Art. European Tapestries in the Art Institute of Chicago (2006–2008)