Claudine Riboulet

LARGE SIGNED FRENCH IMPRESSIONIST OIL - UZES TOWN/ PROVENCE in the Gard region

c. 2000's

Architectural Landscape of Monte-Carlo Oil Painting, European City, Signed French School, late Century Signed by the artist on the lower left hand corner Oil painting on canvas, fram...

Lady in Red signed by Y. Blanchon, French 1950's Impressionist oil on board, unframed painting: 14 x 11 inches provenance: from a large private collection of this artists work in N...

Artist/ School: Mariano Alonzo-Perez (1857-1930) Spanish, signed and inscribed. Title: La Chasse aux Papillons Medium: oil painting on canvas, framed Size: painting: 23.5 x 12 inc...

Bathers by Lake French School, second half 20th century oil on canvas, framed framed: 23.5 x 31 inches canvas: 20 x 28 inches provenance: private collection, France condition: good a...

Artist/ School: French Post Impressionist School, circa 1950's Title: Figures in a sloped Provencal village landscape Medium: oil painting on canvas, unframed canvas: 23.75 x 28.7...

'Farnham Church from the Meadows' British School, early 20th century school signed oil on board, framed framed: 13.5 x 18 inches board: 7 x 11 inches provenance: private collection, ...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

A large, spectacular, absolutely splendid painting by noted French painter Georges Clairin, which appeared for auction at Christie's in 2004 (see photo...

Mediterranean Cottages with Red Roof Tiles in Rural European Countryside by Irish Artist Art measures 7 x 4 inches Frame measures 13.5 x 10.5 inches Impressionistic painting usi...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...