I only now, at age 65, have discovered Wilhelm Kempff's masterful recording of the entire Beethoven Sonata Cycle, which interestingly he recorded also when he was in his mid-60s. This is the third and final time he recorded the complete cycle. The sound quality of these Deutsche-Grammophon recordings is magnificent, the piano is wonderful and a delight to listen to in this virtuoso's capable hands.
Kempff knows how to change moods according to Beethoven's explosive temperament. He can switch from tender sensitivity to brilliancy without breaking the continuity.
Another nice feature of this recording is that he recorded all the repeats. These were not just copy-and-paste inserted repeats. Rather, he makes subtle changes on the repeats which illuminate the music.
I was brought up on the Artur Schnabel recordings of the Beethoven Piano Sonatas. I was told that Schnabel played as Beethoven would have. The problem I have come to have with Schnabel's interpretations is his tendency to rush passages and blur passages with excessive rubato. I honestly don't believe Beethoven, with all his impetuosity as a composer, would have played his own music with such distortions. Kempff is much steadier in tempo, yet he achieves real heights of feeling appropriate to this great oeuvre.
I have heard it said that Kempff's tempi were "slow". I do not find this to be the case at all. The fast-paced movements move right along at a fine clip. He has all the dexterity needed to bring off Beethoven at his most dramatic, with delicacy or bravura as the context dictates.
Poetry combined with brilliancy, a wonderful combination and Kempff has it all.
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Beethoven: Complete Piano Sonatas Nos. 1-32
Imported ed.
Box Set, Import
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Track Listings
Disc: 1
1 | Allegro |
2 | Adagio |
3 | Menuetto (Allegretto) |
4 | Prestissimo |
5 | 1. Allegro Vivace |
6 | 2. Largo Appassionato |
7 | 3. Scherzo (Allegretto) |
8 | 4. Rondo (Grazioso) |
9 | 1. Allegro Molto E Con Brio |
10 | 2. Largo, Con Gran Espressione |
11 | 3. Allegro |
12 | 4. Rondo (Poco Allegretto E Grazioso) |
Disc: 2
1 | Allegro Con Brio |
2 | Adagio |
3 | Scherzo (Allegro) |
4 | Allegro Assai |
5 | 1. Allegro Molto E Con Brio |
6 | 2. Adagio Molto |
7 | 3. Finale (Prestissimo) |
8 | 1. Allegro |
9 | 2. Allegretto |
10 | 3. Presto |
11 | 1. Presto |
12 | 2. Largo E Mesto |
13 | 3. Menuetto (Allegro) |
14 | 4. Rondo (Allegro) |
Disc: 3
1 | Grave - Allegro Di Molto E Con Brio |
2 | Adagio Cantabile |
3 | Rondo (Allegro) |
4 | 1. Allegro |
5 | 2. Allegretto |
6 | 3. Rondo (Allegro Comodo) |
7 | 1. Allegro |
8 | 2. Andante |
9 | 3. Scherzo (Allegro Assai) |
10 | 1. Allegro Con Brio |
11 | 2. Adagio Con Molto Espressione |
12 | 3. Menuetto |
13 | 4. Rondo (Allegretto) |
Disc: 4
1 | Andante Con Variazioni |
2 | Scherzo (Allegro Molto) |
3 | Marcia Funebre Sulla Morte D'un Eroe |
4 | Allegro |
5 | 1. Andante - Allegro - Tempo I |
6 | 2. Allegro Molto E Vivace |
7 | 3. Adagio Con Espressione |
8 | 4. Allegro Vivace - Tempo I - Presto |
9 | 1. Adagio Sostenuto |
10 | 2. Allegretto |
11 | 3. Presto |
12 | 1. Allegro |
13 | 2. Andante |
14 | 3. Scherzo (Allegro Assai) |
15 | 4. Rondo (Allegro Ma Non Troppo) |
Disc: 5
1 | Allegro Vivace |
2 | Adagio Grazioso |
3 | Rondo (Allegretto) |
4 | 1. Largo - Allegro |
5 | 2. Adagio |
6 | 3. Allegretto |
7 | 1. Allegro |
8 | 2. Scherzo (Allegretto Vivace) |
9 | 3. Menuetto (Moderato E Grazioso) |
10 | 4. Presto Con Fuoco |
11 | 1. Andante |
12 | 2. Rondo (Allegro) |
Disc: 6
1 | Allegro Ma Non Troppo |
2 | Tempo Di Menuetto |
3 | 1. Allegro Con Brio |
4 | 2. Introduzione (Adagio Molto) |
5 | 3. Rondo (Allegretto Moderato - Prestissimo) |
6 | 1. in Tempo D'un Menuetto |
7 | 2. Allegretto |
8 | 1. Allegro Assai |
9 | 2. Andante Con Moto |
10 | 3. Allegro Ma Non Troppo |
11 | 1. Adagio Cantabile - Allegro Ma Non Troppo |
12 | 2. Allegro Vivace |
Disc: 7
1 | Presto Alla Tedesca |
2 | Andante |
3 | Vivace |
4 | 1. Das Lebewohl (Adagio - Allegro) |
5 | 2. Abwesenheit (Andante Espressivo) |
6 | 3. Das Wiedersehen (Vivacissimamente) |
7 | 1. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck |
8 | 2. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen |
9 | 1. Allegro |
10 | 2. Scherzo (Assai Vivace - Presto - Prestissimo - Tempo I) |
11 | 3. Adagio Sostenuto |
12 | 4. Largo - Allegro Risoluto |
Disc: 8
1 | Etwas Lebhaft Und Mit Der Innigsten Empfindung (Allegretto Ma Non Troppo) |
2 | Lebhaft, Marschmã¤Ãÿig (Vivace Alla Marcia) |
3 | Langsam Und Sehnsuchtsvoll (Adagio Ma Non Troppo, Con Affetto) |
4 | Geschwind, Doch Nicht Zu Sehr Und Mit Entschlossenheit (Allegro) |
5 | 1. Vivace, Ma Non Troppo - Adagio Espressivo - Tempo I |
6 | 2. Prestissimo |
7 | 3. Gesangvoll, Mit Innigster Empfindung (Andante Molto Cantabile Ed Espressivo) |
8 | 1. Moderato Cantabile Molto Espressivo |
9 | 2. Allegro Molto |
10 | 3. Adagio Ma Non Troppo - Fuga (Allegro Ma Non Troppo) |
11 | 1. Maestoso - Allegro Con Brio Ed Appassionato |
12 | 2. Arietta (Adagio Molto Semplice E Cantabile) |
Editorial Reviews
DGG 4777958; DEUTSCHE GRAMMOPHON - Germania; Classica da camera Piano
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.31 x 5.12 x 0.91 inches; 8.11 ounces
- Manufacturer : Dg Imports
- Item model number : 028947779582
- Original Release Date : 2008
- SPARS Code : ADD
- Date First Available : August 11, 2008
- Label : Dg Imports
- ASIN : B001CGJ3QS
- Number of discs : 8
- Best Sellers Rank: #119,288 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #637 in Classical Sonatas
- #2,589 in Chamber Music (CDs & Vinyl)
- Customer Reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
263 global ratings
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Top reviews from the United States
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Reviewed in the United States on July 28, 2012
Reviewed in the United States on January 24, 2010
Over time, my favorites change, but I can honestly say that Kempff's Beethoven Piano Sonatas have continued to give great pleasure. The recording quality is fine. The acoustic is very good. His playing is gentle and even a bit whimsical at times. I never get the sense that he has to impress anyone. His playing does not have all of the sturm and drang that you can sometimes expect with mature Beethoven.
I much prefer this packaging. The capbox with paper sleeves is a quarter of the size of the last incarnation with two 4-disc jewel boxes held together by a cardboard sleeve. It thought that was good packaging years ago before I had 1000's of discs. The old style of sets takes so much space!!
I prefer this set to Kempff's earlier set recorded in the 1950's. I was very surprised to find that I really love Kempff's performance of Chopin's Berceuse. I did not expect him to play it so delicately.
Lastly, I can say that I only recently purchased this set. I got it from Amazon Marketplace. I thought that I got a decent price, but not a steal. Now it is $20.00 cheaper than I paid. Now it is a steal!!
I much prefer this packaging. The capbox with paper sleeves is a quarter of the size of the last incarnation with two 4-disc jewel boxes held together by a cardboard sleeve. It thought that was good packaging years ago before I had 1000's of discs. The old style of sets takes so much space!!
I prefer this set to Kempff's earlier set recorded in the 1950's. I was very surprised to find that I really love Kempff's performance of Chopin's Berceuse. I did not expect him to play it so delicately.
Lastly, I can say that I only recently purchased this set. I got it from Amazon Marketplace. I thought that I got a decent price, but not a steal. Now it is $20.00 cheaper than I paid. Now it is a steal!!
Reviewed in the United States on February 19, 2014
Kempff's Beethoven was my first favorite from long ago. There are more modern sets that are better in terms of sound reproduction, and there are slicker performances by more technically skilled pianists that can make you wonder why these old sets are still around. But Kempff has his own unique character and sound that really appeals to me. I absolutely love his cello sonatas with Fournier (live recording), where the Kempff persona really shines. So I will never give up this set. It sounds like home to me. Kempff is great to return to after overdosing on Pollini. Pollini's mid-to-late Beethoven is nothing short of awesome, but darn it, there's just something cold in his soul that after a while leaves me wanting something more, shall I say, human. Kempff is my old remedy for the new age.
If you want a set that's really well recorded and technically solid get Paul Lewis or Igor Tchetuev (not yet complete cycle), and of course, if you like the Chandos sound, by all means, get the other Looey (Louis Lortie). But listen to sample clips of Kempff and see if you like his musical persona/sound.
If you want a set that's really well recorded and technically solid get Paul Lewis or Igor Tchetuev (not yet complete cycle), and of course, if you like the Chandos sound, by all means, get the other Looey (Louis Lortie). But listen to sample clips of Kempff and see if you like his musical persona/sound.
Reviewed in the United States on November 25, 2011
It was nearly 40 years ago when I listened some Beethoven Piano Sonatas by Wilhelm Kempff.
At that time, as for Beethoven, works of Backhaus and Horowitz were appreciated as "special two" in our country, and those of Kempff was recognized "not bad but not special," by most of people.
I must confess that I myself had the same impression, and the motive of my purchasing the series of CDs this time was just nostalgies.
But, in spite of these memories and preconceptions, after enjoing all the CDs over I find myself very deeply touched and be so happy. Not touched to cry, but simply happy.
Kempff's magical touch is heavenly soft and convincing. Not light, nor the kind of making the great substance of Beethoven cheap, of course.
Thanks to the great effort of digital re-mastering, sounds of every touch become clear and bright, the softness becomes more impressive and characteristic. Those makes us easier to accept and enjoy Kempff's greatness, and of course, Beethoven's greatness.
Now I am sure that these Kempff's woks are the best Beethoven Piano Sonatas I've ever experienced.
I strongly recommend the CDs to especially mid-age classic fans!
At that time, as for Beethoven, works of Backhaus and Horowitz were appreciated as "special two" in our country, and those of Kempff was recognized "not bad but not special," by most of people.
I must confess that I myself had the same impression, and the motive of my purchasing the series of CDs this time was just nostalgies.
But, in spite of these memories and preconceptions, after enjoing all the CDs over I find myself very deeply touched and be so happy. Not touched to cry, but simply happy.
Kempff's magical touch is heavenly soft and convincing. Not light, nor the kind of making the great substance of Beethoven cheap, of course.
Thanks to the great effort of digital re-mastering, sounds of every touch become clear and bright, the softness becomes more impressive and characteristic. Those makes us easier to accept and enjoy Kempff's greatness, and of course, Beethoven's greatness.
Now I am sure that these Kempff's woks are the best Beethoven Piano Sonatas I've ever experienced.
I strongly recommend the CDs to especially mid-age classic fans!
Top reviews from other countries
Mike
5.0 out of 5 stars
Awesome
Reviewed in the United Kingdom on March 31, 2024
Awesome and great value for money
Fabrice L
2.0 out of 5 stars
Qualité du son exécrable
Reviewed in Belgium on March 18, 2024
Tout est ds le titre...
Angelo
5.0 out of 5 stars
Da non perdere
Reviewed in Italy on March 12, 2024
Una delle migliori interpretazioni delle sonate per pianoforte di Beethoven ad un prezzo eccezionale.
Brunel Francoise
5.0 out of 5 stars
Coffret en très bon état, superbe interprétation.
Reviewed in France on February 25, 2024
Vendeur fiable: description parfaitement exacte du coffret de CD des sonates de Beethoven interprétées par W. Kempff. L'envoi est parvenu dans les délais et très bien emballé. Recommandé.
Silvestre
5.0 out of 5 stars
Beethoven: The 32 Piano Sonatas - Kempff
Reviewed in Spain on February 13, 2024
Hay aficionados (no sé sí muchos o pocos, me arriesgaría a decir que muchos) a los que les gusta que se toque el piano con fuerza, un buen Steinway sonando a todo trapo. También les gusta que, en las sinfonías de, por ejemplo, Bruckner, los metales rujan. A mí solo me gusta Bruckner dirigido por Celibidache, suave y lento.
Adoro el Beethoven contenido de Kempff. Esta integral de sonatas me parece maravillosa y solo puedo recomendarla sin reservas.
Adoro el Beethoven contenido de Kempff. Esta integral de sonatas me parece maravillosa y solo puedo recomendarla sin reservas.